Name
Yakushenkova Olesya Sergeevna
Scholastic degree
•
Academic rank
—
Honorary rank
—
Organization, job position
Astrakhan state university
Web site url
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Articles count: 2
Heterotopia, according to M. Foucault, is the space
beyond all others, the space in which there are no
familiar laws and regulations to the subject. It is
obvious that behavioral stereotypes in such
circumstances are undergoing all sorts of changes.
People entering the heterotopia (especially in frontier
heterotopia), is forced to adapt to new conditions and
somehow the so-called act of transgression, i.e. to
overstep the limits of the traditional behavior. It
raises epistemological significance of the study of
heterotopic transgression. The author, using
Foucauldian approach to heterotopia, analyzes
various forms of transgression, for the first time their
classification is given. However, special attention is
paid to religious transgressions, as heterotopic space
often give ground for the emergence of new religious
movements, branches, and sometimes even new
religious systems. The author concludes that acts of
transgression are a form of reaction to a meeting with
an Alien in new for the subject of transgression
conditions, which gives him the opportunity to adapt
successfully to changing environmental conditions.
All this corresponds to basic instincts of survival of
the individual
Cultural dialogue with an Alien/Stranger on Frontier
territories takes different forms depending on the
specific period in which intercultural communication
occurs. It is possible to allocate three periods with
particular forms of intercultural communication: the
early frontier, active frontier and postfrontier. If
meeting with a Stranger/Alien in the active period of
the frontier is characterized by the active suppression
of a Stranger, sometimes to His complete destruction
or enslavement, in the period of postfrontier there
comes a revision of forms of this dialogue and the
image of an Alien/Stranger radically changed from
negative to positive. This article analyzes the
transformation of the Stranger’s image in the
postfrontier space of the USA. It shows how the
image of the Indian in the second half of the 20-th
century got increasingly positive features