Scientific Journal of KubSAU

Polythematic online scientific journal
of Kuban State Agrarian University
ISSN 1990-4665
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Name

Blinova Marina Petrovna

Scholastic degree


Academic rank

Honorary rank

Organization, job position

Kuban State University
   

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Articles count: 6

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154 kb

IRONY AS A FOUNDATION OF THE NARRATIVE STRUCTURE IN THE GERMAN ROMANTIC LITERATURE

abstract 0601006002 issue 60 pp. 14 – 24 29.06.2010 ru 2467
The analysis of the narrative structure’s features in the German romantic literature has been reviewed in this article. Irony has been viewed as a particular tool of the author’s opinion realization and the polysemic text’s creation
157 kb

PHILOSOPHICAL FOUNDATIONS OF A NARRATIVE IRONIC MODUS IN THE POST-MODERNIST LITERATURE

abstract 0591005022 issue 59 pp. 345 – 357 31.05.2010 ru 2294
The analysis of post-modernist discourse’s features in the context of modern philosophical ideas has been reviewed in this paper. Irony has been viewed as a particular tool of the author’s opinion realization and the didactic influence upon the reader
171 kb

THE STRUCTURE OF POST-MODERNIST METATEXT

abstract 0841210069 issue 84 pp. 880 – 895 28.12.2012 ru 1470
The analysis of post-modernist metatext’s features has been reviewed in this article. The principle of mimesis’s refusal and modeling of the text’s area, game, intertextuality, irony, sense decentration have been viewed as the particular tools of the author’s opinion realization and the way of the modern literary process’s understanding
121 kb

THE DIALECTICS OF HUMANISM AND A POSTMODERN PLAY IN THE WORKS BY A.PEREZ-REVERTE ( THE SIEGE)

abstract 1031409067 issue 103 pp. 999 – 1007 30.11.2014 ru 972
The analysis of the philosophical and narrative structure’s features in the novels by modern Spanish writer A. Pérez-Reverte has been reviewed in this article. His works present an example of the postmodern double coding, that is the compound a mass and elite, playing and moral. It allows to avoid the text’s tendentiousness and to keep the content. In the novel “The Siege” A. Pérez-Reverte uses the detective story, but he deconstructs it: keeping the traditional plot’s scheme the writer changes the images’ interpretation, the meaning of the finale, adds the intertext and the conceptual metaphors (the chess, the net, the herbarium). They code some philosophical ideas about human life. At the same time A. Pérez-Reverte asks the traditional classic literature’s questions and shows how war influences the person, what is love and so on. He also makes a psychological analysis of actions’ reasons and reveal the feelings’ contradictory. As a result, the multilayer, nonlinear and metaphorical narrative has been viewed as a particular tool of the author’s opinion realization and the philosophical implication’s creation. And with it the postmodern polysemic text associates with a psychological analysis and humanism
181 kb

THE INTERTEXT FUNCTIONS IN BIOGRAPHICAL NOVELS BY P. ACKROYD

abstract 0931309110 issue 93 pp. 1587 – 1605 30.11.2013 ru 2109
The analysis of the intertext functions in biographical novels by P. Ackroyd has been reviewed in this article. Using citations, reminiscences, and allusions creates a factual structure of the works and becomes a particular tool of the hero’s characteristic. Its purpose is to destroy the stereotyped images. The intertext helps P.Ackroyd to comment the works of his heroes and to include them in the cultural paradigm. As a result, the structure of the biographical novel becomes open and allows of different interpretations
136 kb

THE MOTIVE STRUCTURE OF THE PLAY “AUGUST: OSAGE COUNTY” BY TR. LETTS

abstract 1101506103 issue 110 pp. 1579 – 1589 30.06.2015 ru 890
The analysis of the motive structure’s features in the play “August: Osage County” by a modern American writer Tr. Letts has been reviewed in this article. His drama is based on a compound of mass and elite, a playing and a moral. It allows to avoid the text’s tendentiousness and to keep the content. In the play “August: Osage County” Tr. Letts examines the family theme, which is very important for the American culture. The author reviews the destruction of family relationships as a sign of the society’s moral crisis. The main topic has been realized via motives (escapism, freedom, death, and incest), they create the semantic frame of the play and unite separate episodes of the plot’s development. The motives become special tools of the characters’ psychological analysis and are an explanation of the feelings’ contradictory. The image of the house has a special meaning. It’s the symbol of the human disunity and a destruction of the family relations. As a result the synthesis of the motives, symbolism, intertextuality, multilayer has been viewed as a particular tool of the author’s opinion realization and the philosophical implication’s creation
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