The analysis of post-modernist discourse’s features in the context of modern philosophical ideas has been reviewed in this paper. Irony has been viewed as a particular tool of the author’s opinion realization and the didactic influence upon the reader
The article is devoted to textual comparison of A. S. Pushkin’s tragedy and Bible’s texts. Their main moral-philosophic views are given
The analysis of the narrative structure’s features in the German romantic literature has been reviewed in this article. Irony has been viewed as a particular tool of the author’s opinion realization and the polysemic text’s creation
The article is dedicated to the literary analysis of two modern Russian novels (“This is a man” by E. Butin and “My senior brother Ieshua” by A. Lazarchuk). These two novels narrate about a life of the hero, whose name, destiny, speeches and contexts cause obligatory associations with an image of Jesus Christ from initial Gospels
The analysis of the lyric cycle «The Theme with Variations» by B. L. Pasternak has been reviewed in this paper. Results have been given of the study of the semantic fields of the poetic texts. The data obtained provide an exhaustive interpretation of the structure of the ensemble
The article is devoted to textual comparison of A. S. Pushkin’s tragedy and Bible’s texts. Their main moral-philosophic views are given
The questions of textual and idea-contextual correlation of A. S. Pushkin’s tragedy are presented in the article. Ways and methods of correlation analysis are determined
This article deals with the examination of the peculiarities of the conceptual sphere of “CREATIVITY” using the cognitive approach to the language study. Key concepts of this conceptosphere are defined and lexemes that represent it are analyzed
A. S. Pushkin’s artistic principles in creation of image system are comprehended in the article. Correlative analysis is given
In the present article, the synthesis of heterogeneous
genres as a characteristic trait of postmodernist
literature is being considered, with M. Rybakova's
epistolary novel-myth as an example. The specific
modality resulting from such an interlacing of genres
is characterized by stylistic heterogeneity, multilevel
composition and widened spacio-temporal relations.