Word building system of English and its kin languages
has been thoroughly investigated first in the
grammatical aspect. We investigate the ways of
teaching word-building in the context of grammatical
approach in teaching foreign languages, specifically
English, to future linguists whose major is Linguistics
and who have to know the theory of the language as
well as to be able to communicate in English.
The authors of the article investigate the peculiarities
of functioning of compound words, carry out their
structural and semantic analysis, which serves as the
basis for developing of the skill of working with lexis
with young adult researchers. Based on the definition
of a lexical skill the authors of the article investigate
how to develop the skill of working with lexis with
young adult researchers. We apply the grammatical
method to developing word-building skills with future
linguists when the main goal is to take off the material
for investigation, analyze and classify it, thus,
performing the operations essential for research of
lexical units of a foreign language
In domestic terminology we now have a priority problem of studying the functioning of the terms in the text. In this regard, the article discusses for the first time the terms of the Yakut grammar recorded in the text of multi-transferable “dictionary of terms”, made by one of the largest cultural and educational figure of 1920-1930 - Alexey Andreevich Ivanov - Kүnde. The content of the article consists of three sections, where in quantitative terms and qualification we have: the terms used at the present time, permitted with partial corrections and variative deprecated which, for various reasons, emerged from the modern use. According to our estimates, about 90% of grammatical terms, registered in the "Dictionary", stuck in the literary language. Through deep knowledge of the native language, the talent of the writer and scientist, A.A. Ivanov-Kүnde became one of the first leading developers of the original terms of the Yakut grammar
The article deals with the dialectal units found in the case of the song texts of the Olonets province of the XIXth century. The author divided the revealed units into the structural lexical classes. The aim of the work is to expand to a certain extent the borders of the "Dictionary of the Language of Russian Folklore", actively developed by the representatives of Kursk
lingvofolkloristics’ schoo
The purpose of this article is an attempt to show the value of translated Russian novels of the XVIII c. in formation of premise to the birth of a new literary genre – “slavic” fantasy. V.A.Levshin’s, M.D. Chulkov’s and M.I. Popov's contribution to development of a domestic fantasy can't be underestimated: by copying style of the traditional chivalric novel, they decorated the text with elements of the oral national tradition
As a new theatrical phenomenon, monodrama of Grishkovets had an exploratory and experimental character. The article is devoted to investigation of the genre specifics in monodrama of Eugene Grishkovets. The particular attention is paid to the monodrama structure: spatial-temporal organization, the author’s presence and problems of the heroes. It mainly discusses the multiplex chronotope, including “vertical” and “horizontal space”, “closed” and “open space” in the theatrical text of Grishkovets, as well as the author’s position and the reflection in the context of relations between the author, the hero and the audience. The article analyzes the narrative tactics of the playwright, stressing, that unlike the other members of the playwrights in “New drama”, monodrama of Eugene Grishkovets is original for its unique, easily recognizable narrative tone, which is exactly prone to human reflection, for its interpretation of ethos of modern people, which is familiar and understandable to many of us. The author concludes that the specific narrative system in monodrama of Grishkovets not only creates the effect of deconstruction and diversification of the traditional theatrical art, which generated the “phenomenon of Eugene Grishkovets” on the stage of contemporary Russian drama, but also reflects the urgent problems of modern domestic drama in the context of the “New drama”
A. S. Pushkin’s artistic principles in creation of image system are comprehended in the article. Correlative analysis is given
This article gives the review of the analysis of the content of the concept of “theatricality” in both linguistic and extralinguistic contexts
The article deals with the typology of media
discourse, we have also studied the mechanisms of
impact on the audience, identifying and analyzing the
linguistic and paralinguistic means of influence on
the examples of certain types of discourse: insincere,
political, ritual, religious, advertising, including
media discourse. The author of this research
proposes to consider the definition of a variety of
Russian and foreign linguists, pointing out that the
concept "of the mass media discourse" refers to the
problematic field of mass communication as a
process of information exchange between all the
actors of society, aimed at shaping public opinion
about socially significant piece of social life. Mass
communication as a kind of verbal activity "is due to
the social process in which the function is updated
using a variety of communication tools and
channels." As a source of social and mass
communication, we highlight a social institution or
"collegiate sender", producing a total of texts a
certain type of consciousness and the installation for
a particular type of pragmatism - the goals and
aspirations of expectations. Recipient of the mass
media messages is a broad mass audience, it is not
homogeneous, and so the text of the mass media
should be clear to the mass consumer
The article deals with the features of the language system’s neutralization of the phonosemantic oppositions, which is an important factor for the forming system. The author discusses the question about the necessity of the revision of separate principles the Trubetskoy’s neutralization theory according to the modern level of development of linguistic and humanitarian knowledge
The article considers combinativity of speech
strategies and tactics in a public political address as
markers of a general intention within a framework of
a background strategy of self-presentation. The
research methods of speech architectonic are
determined. Structural and composite elements of a
presidential speech are analyzed. Communicative
strategies and tactics as means of an effective
self-presentation are described