In this work a survey of different approaches to determination of the concept «art style» is made, principal supporting positions of interrelation of styles and forming of new styles and directions with accent on expressive means system analysis are also considered
This article focuses on the early literary works dedicated to the cultural heritage of the artist, as well as on the peculiarities of the approaches used by the researchers in their studies
The author of the article reveals the stylistic community of the ancient music by decoding byzantine modal octoechos
The article deals with the problem of the theatre functioning in the communicative area. It has the analysis of the elements belonging to the structure of the communicative act, their complexity and interrelationship
The article traces the history of origin of ecclesiastical embroidery in Ancient Russia, the use of works of embroidery in the design of Christian worship and decorative furnishings of the temples. The process of creation and artistic features of the medieval Russian art sewing
The article reveals the meaning of several Slavonic signs and symbols on the embroidered ornaments of Russian folk costumes and objects of domestic decor. The role of decoration of embroidered national costumes traces in the transmission of values and meanings of ethnic culture. Perpetuation of national cultural traditions in Russia
Virtuoso of prints, Mikhail Matorin, is undeservedly
forgotten today both by ordinary spectators and by
professional art critics. Twenty-five years of fruitful
work of the artist have made a great contribution into
the development of the domestic drawing. The album
of linoleum prints called "Vyborg", created as a result
of his staying on the finnish front in june 1944, takes
up a special place in his creative work. Vyborg has
attracted Matorin by the originality of its northern
architectural landscape and the severe beauty of forms.
The town was empty; it was left by Finnish residents.
Bright sunny days of June with white nights even more
emphasized the epic expressiveness of architectural
ensembles of the city. Language of Matorin’s linocuts
is sharp, clear and emotional. Sonority of strokes and
rhythm of lines are in harmony with the noble colors.
Matorin’s prints were made on the basis of front-line
sketches. The color linocut printmaker used up to 12
boards, achieving the effect of real painting. Matorin’s
engravings are remarkable for its special harmony of
tones, terseness of colours. This article is aimed at the
introduction into the scientific usage of russian artcriticism
new unique artistic and history- cultural
material, revealing features of creativity and way of
life of the engraver, M.V.Matorin. The author for the
first time in Russian art-criticism examines and gives
an appreciation of the album of linoleum prints
"Vyborg" (1944), which is a valuable documentary
material
This article discusses various methods and techniques
for updating scientific information at trips on art
subjects. The pursuit of information consumption is a
common characteristic of contemporary society. There
is a limitless range of cultural and historical material
from which art excursions draw their themes. In the
meantime, if you measure the number of excursions
with their well-planned structure, the art tours will
certainly find themselves in a minority. On the
margins of the tour scripts, we can sometimes find
question marks left by customers. Art objects have
their criteria, the specificity and peculiarities. To
understand and to comprehend them on the scientifictheoretical
level is an urgent task of art historians and
critics themselves
We investigate D. D. Shostakovich's opera “Gamblers”
is in the context of an intertext. In this opera, the psychological
drama develops; this complex artistic task is
solved largely thanks to masterful introduction of a
variety of intertextual links. “Gamblers” is an example
of recitative opera with an intense, “passionate” vocal
style and flexible technique ranging from secco to a
gushy accompagnato. The text directs melodic development
and intertextual links. The appeal to a method
of the intertextual analysis opens interaction between
“Gamblers” and their dialogue with musical classics
and other Shostakovich’s works. Own creativity and
the whole layer of classical works first of all acts as
donor texts: operas style bel canto, opera-buffa, D.
Verdi’s opera “La traviata”, Russian recitative opera –
A. S. Dargomyzhsky, N. A. Rimsky-Korsakov, M. P.
Mussorgsky, works by A. P. Borodin, P. I.
Tchaikovsky, and of painter and literary texts – P. A.
Fedotov, A. S. Pushkin, L. N. Tolstoy, F. M. Dostoevsky.
The intertextual artistic methods, enabled by
Shostakovich express a complex psychological content
The article explores the main types of musical education.
We created a table of classification based on the
experience of world and Russian culture, personal
educational experience. The classification table shows
the main features of music education and provides
brief comments for each species. We show the multiplicity
and multidimensionality of the types of educational
activities. Educational activities were classified
into nine types of classification: form, volume, organizational
complexity, subject, audience, socioeconomic
status, genres, performing music composition,
connection with media space. It is noted that the
main forms are musical-educational lecture and educational
concert. Other forms derive from these main
types. The article made an important conclusion: music
education should be considered a form of communication
between musicians and listeners, which along
with the aesthetic component plays an important role
cognitive component aimed at the formation of the
musical (or artistic) culture of the public