Scientific Journal of KubSAU

Polythematic online scientific journal
of Kuban State Agrarian University
ISSN 1990-4665
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128 kb

THE GENESIS OF ECCLESIASTICAL EMBROIDERY IN ANCIENT RUSSIA

abstract 0851301029 issue 85 pp. 369 – 380 28.01.2013 ru 1981
The article traces the history of origin of ecclesiastical embroidery in Ancient Russia, the use of works of embroidery in the design of Christian worship and decorative furnishings of the temples. The process of creation and artistic features of the medieval Russian art sewing
163 kb

THE PHENOMENON OF ART STYLE AND ITS STUDY IN CULTURAL TRAINING COURSES

abstract 0681104010 issue 68 pp. 94 – 113 28.04.2011 ru 1887
In this work a survey of different approaches to determination of the concept «art style» is made, principal supporting positions of interrelation of styles and forming of new styles and directions with accent on expressive means system analysis are also considered
3601 kb

THE SYMBOLISM OF ORNAMENT IN RUSSIAN FOLK COSTUMES

abstract 0921308075 issue 92 pp. 1117 – 1126 31.10.2013 ru 2886
The article reveals the meaning of several Slavonic signs and symbols on the embroidered ornaments of Russian folk costumes and objects of domestic decor. The role of decoration of embroidered national costumes traces in the transmission of values and meanings of ethnic culture. Perpetuation of national cultural traditions in Russia
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THEATRE AS A SPECIAL TYPE OF COMMUNICATION

abstract 0841210051 issue 84 pp. 678 – 687 28.12.2012 ru 1843
The article deals with the problem of the theatre functioning in the communicative area. It has the analysis of the elements belonging to the structure of the communicative act, their complexity and interrelationship
120 kb

V. SEROV’S WORKS IN HIS CONTEMPORARIES’ LITERARY CRITICISM

abstract 0811207078 issue 81 pp. 1037 – 1046 30.09.2012 ru 1792
This article focuses on the early literary works dedicated to the cultural heritage of the artist, as well as on the peculiarities of the approaches used by the researchers in their studies
1453 kb

VYBORG’S PERIOD OF A GREAT RUSSIAN ARTIST NICHOLAS ROERICH

abstract 1231609031 issue 123 pp. 457 – 479 30.11.2016 ru 914
A Karelian stage in the life of the great Russian artist, Nicholas Roerich, is relatively well-known. However, researchers have not been practically studied the period of residence of the Roerich family in Vyborg. It is known that N. Roerich was friends with the Finnish artist A. Gallen-Kallela, who helped him to remain in Finnish Vyborg in the period of revolutionary events in Russia. From October 1918 to May 1919 the Roerich family lived in Viborg in Ladaunkatu (now Turgenev St.), №8. The painting «Autumn» (1919) was written by the artist during the Vyborg’s period. The painting was created in a fantastic manner which was usual for the artist. Unfortunately, at the moment nothing is known about his other works with views of Vyborg. However, in the catalog of his works, published in the USA in the 1920-es , under the name of each picture is given information about where and when it was created. Thus, under some of the works of the artist is the mark: «Painted in Viborg». So, today we can say about some works of master, which he wrote in Vyborg. In the first place, there are famous paintings of the artist: «Repentance», «Call of the bell. Old Pskov», «Sons of the Heavens», «The heat of the Earth», «Autumn – Vyborg», «Les Miserables (Outcast)», «Treasure» and others. As well, in 1918 at the time of staying the family in Vyborg a number of sketches in "Vyborg Notebook" were made by his son, Svetoslav Roerich, who was then 16 years old. Probably, inexhaustible diligence of Roerich gave a rise to other works with the theme of Vyborg, which scientists do not know because this topic has not been investigated
2673 kb

WATERCOLORIST OLEG POMERANTSEV (1949-2012) AS A SUCCESSOR OF THE TRADITIONS OF REALISTIC ART. ARTISTIC IMAGE OF THE SETTLEMENT OF KIRILLOVSKOE IN WATERCOLORS AND GRAPHIC WORKS OF THE MASTER

abstract 1231609030 issue 123 pp. 433 – 456 30.11.2016 ru 964
The article tells about St. Petersburg distinctive watercolor painter, Oleg I. Pomerantsev (1949-2012). Master's career is inseparably linked with Russian realism. The artist acts as a successor of fundamental high artistic traditions of realistic art. Working in a landscape genre, Pomerantsev managed to create more than 500 paintings deep in a content and meaning. In his spare time Master developed his own techniques of watercolor art. The entire artist’s works were performed under his impression. He received inspiration on fishing trips, in woods and then at home master reproduced what he saw from memory. Most of his works are in private collections and galleries all around the world. Romantic landscapes of Oleg I. Pomerantsev affect by their transparency, complex color techniques and inexpressible atmosphere, full of air and light. Complex colour manners and inexpressible atmosphere full of air and light. Graphic works by the artist, executed in pencil on paper are very interesting too. Sometimes master was fond of drawing in details, so such works were not suitable for watercolors. In his watercolor works Pomerantsev did only hardly visible pencil drawing. The artist did not specialized in graphics so he ruled out his pencil sketches as unsuitable, but the wife of the artist has kept them. Watercolorist Oleg I. Pomerantsev is unknown to Russian art-critics. In view of that, the article was tasked to give for the first time an art rating to the artist’s creation, to make an art analysis of his works from the cycle "The Karelian isthmus" dedicated to the settlement of Kirillovskoe in Vyborg district. The study of creativity of Oleg Pomerantsev by professional critics will allow to expand qualitatively the history of watercolor painting of Russia
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