В статье дан аналитический обзор прижизненных журнальных публикаций о творчестве А.Н. Островского. Анализируются эстетические позиции различных периодических изданий
The article examines Ostrovskiy's works of 1860s, when he was closely related to Sovremennik magazine. A special interest is paid to the critical point of that time playwright works, changes in types of characters, peculiarities of storylines and inside conflict
The aim of the study is to describe the concept of
conflict linguistic personality and construct a model of
linguistic identity. By summing up common features of
the individual personalities we have created the model
of conflict linguistic personality, based on three levels:
verbal-semantic, cognitive and pragmatic. 1. Verbal -
semantic level. Unlike other subtypes of conflict
discourse, everyday conflict discourse is characterized
by slang, invective, obscene vocabulary. Another
feature of everyday conflict discourse is familiarity.
Imperatives are also among the characteristic features
of conflict. There are also some non-verbal components
that play an important role in constructing the model of
conflict linguistic personality, such as gestures and
mimicry. 2. Cognitive level. Typical conflict linguistic
personality rarely tries to mince the words at the peak
of the conflict, so his/her cultural level comes "through
the language." 3. Pragmatic level. On this level diverse
and even opposing tactics are possible depending on
the purpose of conflict linguistic personality, as well as
his/her social role and psychological state at the
moment. The cooperative tactics include: acceptance,
conviction, compassion, assignment, promise, etc. Noncooperative
tactics include: mockery, accusation,
insults, threats, pressure, interruption, provocation
The article analyzes the novel «Pasternak» by Mikhail
Elizarov and Alexander Prokhanov’s «Ship «Joseph
Brodsky»» in the view of distinctive «signs» of
Russian culture functioning in them. Therefore, the
work of the writers - Nobel Prize winners is a kind of
prism for modern prose writers through which the
major questions for Russian history are considered: the
people and the intellectuals, social justice, national
idea, religion and statehood. The main topics are
implemented through the number of reasons, the main
of which are the motives of the blood and salvation
(the Savior on Spilled Blood), controversially allowing
philosophical problem of redemption of the depravity
of existence. Social issues are stated through allusion
layer: references to Dostoevsky's novels, Radishchev’s
«Journey from Petersburg to Moscow», Nekrasov's
poem «Who lives Happy in Russia». With the theme
of redemption organically linked theme of man's
salvation, which Prokhanov and Elizarov’s characters
decide on their own. So different view of the world
and creative aspirations of the authors are unified by
their desire to capture their era, its reversal of fortune
and historical faults in which the Great Russian
literature has always played a significant role