The concession is understood by the authors as one of
the main ways of creating, denoting or highlighting the
meaning of inferiority in the media text. The main
function of the concessionary relations is the
realization of the contradiction of the ineffective basis
(the concession event) and the actual effect that is
contrary to it, contrary to what is expected. The article
gives a typology of concessive constructions as
constituents of the concession field. There is the
incompatibility of two situations in such constructions,
their mutually exclusive nature is established and it is
confirmed that there is the simultaneity of the
coexistence of these situations. The paper analyzes the
representativeness of the real-concessional,
concomitantly-presumptive and intensively conceding
situations. The authors classify concessions in the
structural-semantic aspect, revealing additional values
(restrictive, comparative, connecting, conditional,
etc.). The material of the study is constructions, seized
by the method of continuous sampling in the amount
of 500 units from the certain Internet publications and
newspapers. It was applied the method of continuous
sampling and the synchronous-descriptive method,
including the methods of classification,
systematization and analysis to the analysis of linguistic material. The authors of the article come to
the conclusion that in the field of conciseness of
modern media text, the leading modification of the
significance of a concession is the actual concession
value. The semantics of the concession is represented
in the language of journalism by a multidimensional
system of means for formalizing the relations of
inverse conditioning
The article considers the orientation of terminological units. The classifications of qualitative and quantitative criteria are offered
The questions of textual and idea-contextual correlation of A. S. Pushkin’s tragedy are presented in the article. Ways and methods of correlation analysis are determined
The article presents the problem of the terms and professionalisms differentiation and defines the place of the sports names in the special vocabulary cluster. It is proved that sports nominations possess such basic features of terms as definitiveness and systemacity. However, sports terminology is specific, due to polysemy development, attraction of words from other semantic areas and active entry of sports names into the common-literary language
The article considers combinativity of speech
strategies and tactics in a public political address as
markers of a general intention within a framework of
a background strategy of self-presentation. The
research methods of speech architectonic are
determined. Structural and composite elements of a
presidential speech are analyzed. Communicative
strategies and tactics as means of an effective
self-presentation are described
The article deals with the features of the language system’s neutralization of the phonosemantic oppositions, which is an important factor for the forming system. The author discusses the question about the necessity of the revision of separate principles the Trubetskoy’s neutralization theory according to the modern level of development of linguistic and humanitarian knowledge
The article deals with the typology of media
discourse, we have also studied the mechanisms of
impact on the audience, identifying and analyzing the
linguistic and paralinguistic means of influence on
the examples of certain types of discourse: insincere,
political, ritual, religious, advertising, including
media discourse. The author of this research
proposes to consider the definition of a variety of
Russian and foreign linguists, pointing out that the
concept "of the mass media discourse" refers to the
problematic field of mass communication as a
process of information exchange between all the
actors of society, aimed at shaping public opinion
about socially significant piece of social life. Mass
communication as a kind of verbal activity "is due to
the social process in which the function is updated
using a variety of communication tools and
channels." As a source of social and mass
communication, we highlight a social institution or
"collegiate sender", producing a total of texts a
certain type of consciousness and the installation for
a particular type of pragmatism - the goals and
aspirations of expectations. Recipient of the mass
media messages is a broad mass audience, it is not
homogeneous, and so the text of the mass media
should be clear to the mass consumer
This article gives the review of the analysis of the content of the concept of “theatricality” in both linguistic and extralinguistic contexts
A. S. Pushkin’s artistic principles in creation of image system are comprehended in the article. Correlative analysis is given
As a new theatrical phenomenon, monodrama of Grishkovets had an exploratory and experimental character. The article is devoted to investigation of the genre specifics in monodrama of Eugene Grishkovets. The particular attention is paid to the monodrama structure: spatial-temporal organization, the author’s presence and problems of the heroes. It mainly discusses the multiplex chronotope, including “vertical” and “horizontal space”, “closed” and “open space” in the theatrical text of Grishkovets, as well as the author’s position and the reflection in the context of relations between the author, the hero and the audience. The article analyzes the narrative tactics of the playwright, stressing, that unlike the other members of the playwrights in “New drama”, monodrama of Eugene Grishkovets is original for its unique, easily recognizable narrative tone, which is exactly prone to human reflection, for its interpretation of ethos of modern people, which is familiar and understandable to many of us. The author concludes that the specific narrative system in monodrama of Grishkovets not only creates the effect of deconstruction and diversification of the traditional theatrical art, which generated the “phenomenon of Eugene Grishkovets” on the stage of contemporary Russian drama, but also reflects the urgent problems of modern domestic drama in the context of the “New drama”