In the present article, the synthesis of heterogeneous
genres as a characteristic trait of postmodernist
literature is being considered, with M. Rybakova's
epistolary novel-myth as an example. The specific
modality resulting from such an interlacing of genres
is characterized by stylistic heterogeneity, multilevel
composition and widened spacio-temporal relations.
The author examines the epistolary novel by Y. Aleshkovsky and qualifies it as one typical of genre developments of the late 20th century Russian prose. A combination of genres, involvement of concepts of Russian literary classics, intertextuality, ample dialogues become the markers of postmodernist prose.
The article presents the analysis of lexis (nouns, adjectives, adverbs) denominating space on closer-farther bases. Paradigmatic and syntagmatic relations of words to locative semantics are researched
The analysis of post-modernist discourse’s features in the context of modern philosophical ideas has been reviewed in this paper. Irony has been viewed as a particular tool of the author’s opinion realization and the didactic influence upon the reader
The article deals with the investigation of speech genre bureaucratic formal reply. The author considers three approaches to studying speech genres and describes the model of the speech genre bureaucratic formal reply according to one of them
In the given work, P.I. Karpov's alphabetically-frequency vocabularies of prose and poetry are characterized. Syntagmatic communications of the “flower” lexeme are analyzed. The place of the given word in a language picture of the world of the poet and the writer is defined
The article is devoted to textual comparison of A. S. Pushkin’s tragedy and Bible’s texts. Their main moral-philosophic views are given
The analysis of the narrative structure’s features in the German romantic literature has been reviewed in this article. Irony has been viewed as a particular tool of the author’s opinion realization and the polysemic text’s creation
The article is dedicated to the literary analysis of two modern Russian novels (“This is a man” by E. Butin and “My senior brother Ieshua” by A. Lazarchuk). These two novels narrate about a life of the hero, whose name, destiny, speeches and contexts cause obligatory associations with an image of Jesus Christ from initial Gospels
This article deals with some peculiarities of verbalization of the frame “management” by the verbs of other semantic groups. Interrelation and crossing of the frame “management” with other frames is also analyzed