The article is devoted to the analysis of artistic world of R. Senchin on basis of three narratives (“Minus”, “Nubuck”, “Forward and up with low batteries”) that represent works of one of the most important adherents of “new Russian realism”
The analysis of the philosophical and narrative structure’s features in the novels by modern Spanish writer A. Pérez-Reverte has been reviewed in this article. His works present an example of the postmodern double coding, that is the compound a mass and elite, playing and moral. It allows to avoid the text’s tendentiousness and to keep the content. In the novel “The Siege” A. Pérez-Reverte uses the detective story, but he deconstructs it: keeping the traditional plot’s scheme the writer changes the images’ interpretation, the meaning of the finale, adds
the intertext and the conceptual metaphors (the chess, the net, the herbarium). They code some philosophical ideas about human life. At the same time A. Pérez-Reverte asks the traditional classic literature’s questions and shows how war influences the person, what is love and so on. He also makes a psychological analysis of actions’ reasons and reveal the feelings’ contradictory. As a result, the multilayer, nonlinear and metaphorical narrative has been viewed as a particular tool of the author’s opinion realization and the philosophical implication’s creation. And with it the postmodern polysemic text associates with a psychological analysis and humanism
The article analyses the discussion of Griboyedov’s contemporaries of his comedy, defines the general basis of critics’ misunderstanding the play itself and its character based on the rhetoric discourse
The results of language interpretation researching including the emotive component of a meaning in “The diary of one genius” by S. Dali is reviewed in this article, in addition, there is theoretical description and findings classification of the received data
The question of punctuation role in fiction is examined in the article. The analysis of existing standpoints on the nature of author's punctuation and punctuation synonymy is carried out. We consider that it is reasonable to delimit the concepts of “author’s punctuation” and “punctuation synonymy phenomena”, which are the components of the author’s punctuation mark.
This article examines the story of the unexpected stay
of lieutenant Vasily Golovnin in South Africa in 1808
during his famous navigation around the world. In fact,
the Russian sailor had to stop in Simonstown for a
short while to stock up and put his boat in shape.
However, his visit on this archipelago which newly
belonged to British had coincided with the moments of
crisis between Russian and British empires in Europe.
These events obliged Golovnin to stay in the Cape of
Good Hope for thirteen months. Enjoying his freedom
of movement, the young navigator will exploit this
long stay to describe the daily life of South African
people. During his travels across the Cape Colony,
Golovnin meets with colonists and colonized, and tells
about the mechanism of their cohabitation. Even if it is
not so abundant, his travelogue remains the first one
realized by a Russian on South Africa and will always
be crucial for the future generations of Russian
mariners who will follow his itinerary. From Kronstadt
to Kamchatka, Golovnin described the amazing events,
but there, it will exclusively focus on the part of his
travelogue [3] about his long and exceptional “stay at
the Cape of Good Hope”
The article gives an analysis of lexical and phraseological means of objectification of linguocultural “mother” concept in Russian prose texts of the XIX century. The article also defines the role of
this concept in the process of formation of information
and semantic space of artistic works
The semantic of marine images in A. I. Vvedensky’s works, their connection with the problem of cognition and with art images of the death, is analyzed in this paper. The culturological and theological contexts of above-mentioned subject are reviewed
In any language there are such lexico-grammatical
categories of nouns as proper names and common
names. This fact is explained with the speaker’s desire
to differentiate homogeneous subjects to individual
and unique subjects. Both has their own purpose.
Functions and aims. Being one of the subsystem of
national language, language for special purposes
provides the professional communication of people in
scientific, production and technical spheres. But
compare with a common language, language for
special purposes is more laconic and is limited with
lexis of researched scientific part. A common language
in a process of communication transfer intellectual and
emotional information; in fiction there is also esthetic
information, but language for special purposes transfer
only intellectual information. So synonyms,
homonyms and tropes are strange for language for
special purposes. Naturally, the forms of Proper names
and their role are restricted. The emotional sphere
depends on the approval of the author (denotate). So,
the emotions and estimation depend on the content not
a form of the language
The article is focused on the problem of the development of semantics adjectives. The author demonstrates the main points of view concerning this problem